As The Fader reported, the prosecution’s final witness was an IT employee at the state attorney’s office, who presented the “Race” video and a printout of its lyrics as evidence along with photos from social media and album covers that show Tay-K with guns. Tay-K’s career as a rapper is far from incidental to the case. Marshals in New Jersey the same day the video premiered. His song about that process, “The Race,” became a major hit its video included shots of him smoking beside his own wanted poster. In 2017, while on house arrest awaiting trial for the Mansfield murder, Tay-K - then just 16 years old - cut off his ankle monitor and fled. On the murder charge, Tay-K was convicted as an accessory his lawyers argued that their client “only participated in the robbery, was not armed, and had no idea that people would be shot.” He was found not guilty of capital murder, which in Texas is defined by a number of different conditions, the relevant one here being whether the defendant “intentionally commits the murder in the course of committing or attempting to commit aggravated kidnapping, burglary, robbery, aggravated sexual assault, arson, obstruction or retaliation, or terroristic threat.” A capital-murder conviction would have carried with it a mandatory minimum sentence of 40 years. On Tuesday, he was sentenced to 55 years in prison for the murder, 30 years for one of the robberies, and 13 for each of the two others. ![]() In addition to the murder count, Tay-K was convicted on three counts of aggravated robbery. McIntyre is better known as the teen SoundCloud rapper Tay-K, and the case stems from a July 2016 home invasion in Mansfield, a city near Dallas–Fort Worth, that left one 21-year-old man dead and another injured. Last Friday, a jury in Tarrant County, Texas, found Taymor McIntyre guilty of murder. Tay-K Found Guilty of Murder, Sentenced to 55 Years ![]() It’s understandable given that Lost Tapes 2 is built around true scraps, rather than material that was nixed for nonmusical reasons. “Jarreau of Rap (Skatt Attack),” an off-kilter-rhythm exercise, lacks the gravity in writing that his music hinges on. It lacks the original volume’s warmth, venom, and conceptual brilliance, and when it succeeds, it does so by diving into a new sort of mythmaking: It’s impossible to have grown up on rap and not get goosebumps to hear Nas say, on “Vernon Family,” that the “Bridge rappers influenced me, son, / But if I was in the Juice Crew, we woulda won.” A song like “Queensbridge Politics” could be slotted comfortably beside Nas’s best, yet the album is bogged down with material that, unlike that on the first Tapes, is self-evidently cutting-room-floor stuff. In any event, The Lost Tapes 2 has arrived, a collection of songs recorded during the sessions for other albums, beginning with 2006’s Hip Hop Is Dead on through Nasir. ![]() More troublingly, his ex-wife, the singer Kelis, has alleged that their marriage was marred by his consistent patterns of abuse - not the kind of stain that can be removed with a well-curated compilation album. While he has become something of a noted venture capitalist, he’s coming off the worst album of his career, last year’s Kanye West–produced Nasir. Today, Nas finds himself mired in another sort of valley. The first volume, released in 2002, represents some of Nas’s best, most thoughtful work and created a permanent demand for a sequel among critics and fans. Fortunately for Nas, two years later he fought and won a war against Jay-Z, saw Stillmatic hailed as a comeback classic, and was allowed to return to those Autobiography sessions, using bootlegged songs as the backbone of a compilation record called The Lost Tapes. ![]() But rampant bootlegging complicated the process, so some songs from those sessions were split between I Am… and Nastradamus, both released in 1999 and collectively taken to represent something of an early nadir for the onetime wunderkind. The history of that lost (or half-lost) record has been maniacally re-created across message-board threads and in YouTube comments: It would trace his life from the time he was a fetus until his hypothetical death. He wanted to follow those with a double album called I Am… The Autobiography. That meant it had a high bar to clear: His debut, Illmatic, was an instant classic by design and acclamation, and his second album - the glossy, knotty, eternally divisive It Was Written - was billed as his superstar turn. Nas’s third record was supposed to be his most ambitious.
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